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	<title>On-Verge</title>
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	<link>http://www.on-verge.org</link>
	<description>Alternative Art Criticism</description>
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		<title>Mata Hari, the Technologized Body: A Conversation with Amy Ruhl (Part II)</title>
		<link>http://www.on-verge.org/conversations/mata-hari-the-technologized-body-a-conversation-with-amy-ruhl-part-ii/</link>
		<comments>http://www.on-verge.org/conversations/mata-hari-the-technologized-body-a-conversation-with-amy-ruhl-part-ii/#comments</comments>
		<pubDate>Fri, 11 May 2012 14:36:49 +0000</pubDate>
		<dc:creator>CUE</dc:creator>
				<category><![CDATA[Conversations]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA["Peter]]></category>
		<category><![CDATA[Amy Greenfield]]></category>
		<category><![CDATA[Amy Rhul]]></category>
		<category><![CDATA[Anna Nuse]]></category>
		<category><![CDATA[Feminist film]]></category>
		<category><![CDATA[How Mata Hari Lost Her Head and Found Her Body]]></category>
		<category><![CDATA[Kerrie Welsh]]></category>
		<category><![CDATA[Kinetic Cinema]]></category>
		<category><![CDATA[Union Docs]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3494</guid>
		<description><![CDATA[by Kerrie Welsh I spoke with Amy Ruhl last August just as her mesmerizing film How Mata Hari Lost Her Head and Found Her Body premiered in New York City.  It has since played in festivals, galleries, and salons from Anthology Film &#8230; <a href="http://www.on-verge.org/conversations/mata-hari-the-technologized-body-a-conversation-with-amy-ruhl-part-ii/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Breathing New Life into a Molten Core</title>
		<link>http://www.on-verge.org/recommendations/breathing-new-life-into-a-molten-core/</link>
		<comments>http://www.on-verge.org/recommendations/breathing-new-life-into-a-molten-core/#comments</comments>
		<pubDate>Wed, 09 May 2012 20:59:27 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[animism]]></category>
		<category><![CDATA[Anselm Franke]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[Meulensteen]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3552</guid>
		<description><![CDATA[&#160; Animism, curated by Anselm Franke April 26-July 28, 2012 e-flux 311 East Broadway New York, New York Animism, by definition the integration of spiritual life into all objects including those without a pulse, is an expansive subject for an &#8230; <a href="http://www.on-verge.org/recommendations/breathing-new-life-into-a-molten-core/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Bedstuy from the Outside</title>
		<link>http://www.on-verge.org/recommendations/bedstuy-from-the-outside/</link>
		<comments>http://www.on-verge.org/recommendations/bedstuy-from-the-outside/#comments</comments>
		<pubDate>Wed, 09 May 2012 18:46:39 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[Anna Delany]]></category>
		<category><![CDATA[Klughaus Gallery]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Tom Gould]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3546</guid>
		<description><![CDATA[&#8220;Perpetually fascinated by the cultural movements birthed in New York, Gould let fate lead him to the city&#8217;s streets. Suddenly surrounded by all the elements which growing up he had been so influenced by, Gould began documenting his environment with &#8230; <a href="http://www.on-verge.org/recommendations/bedstuy-from-the-outside/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		</item>
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		<title>I Spy</title>
		<link>http://www.on-verge.org/recommendations/i-spy/</link>
		<comments>http://www.on-verge.org/recommendations/i-spy/#comments</comments>
		<pubDate>Thu, 03 May 2012 18:41:04 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[Eva Lake]]></category>
		<category><![CDATA[Frosch&Portmann]]></category>
		<category><![CDATA[Garvey Simon Art Access]]></category>
		<category><![CDATA[J. Ivcevich]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3537</guid>
		<description><![CDATA[&#160; Eva Lake: Judd Women Targets April 19-June 3, 2012 Frosch&#38;Portmann 53 Stanton Street New York, New York Frosch&#38;Portmann is presenting the first solo exhibition in New York of Portland, Oregon, native Eva Lake. She is presenting three series, with &#8230; <a href="http://www.on-verge.org/recommendations/i-spy/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Unassuming Publication</title>
		<link>http://www.on-verge.org/recommendations/unassuming-publication/</link>
		<comments>http://www.on-verge.org/recommendations/unassuming-publication/#comments</comments>
		<pubDate>Thu, 03 May 2012 16:35:20 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[Adam O'Reilly]]></category>
		<category><![CDATA[Archizines]]></category>
		<category><![CDATA[book art]]></category>
		<category><![CDATA[Elias Redstone]]></category>
		<category><![CDATA[failure]]></category>
		<category><![CDATA[Lauren van Haaften-Schick]]></category>
		<category><![CDATA[Storefront for Art and Architecture]]></category>
		<category><![CDATA[The Center for Book Arts]]></category>
		<category><![CDATA[zines]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3465</guid>
		<description><![CDATA[&#160; Canceled: Alternative Manifestations and Productive Failures, organized by Lauren van Haaften-Schick April 18-June 30, 2012 Center for Book Arts 28 West 27th Street New York, New York The Center for Book Arts considers how books have documented &#8220;the process &#8230; <a href="http://www.on-verge.org/recommendations/unassuming-publication/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>&#8220;The wise man looks into space and he knows there is no limited dimensions.&#8221;</title>
		<link>http://www.on-verge.org/recommendations/the-wise-man-looks-into-space-and-he-knows-there-is-no-limited-dimensions/</link>
		<comments>http://www.on-verge.org/recommendations/the-wise-man-looks-into-space-and-he-knows-there-is-no-limited-dimensions/#comments</comments>
		<pubDate>Wed, 02 May 2012 21:35:12 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[BravinLee]]></category>
		<category><![CDATA[Chinese ink]]></category>
		<category><![CDATA[Douglas Florian]]></category>
		<category><![CDATA[fordPROJECT]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Valentina Battler]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3520</guid>
		<description><![CDATA[&#160; &#160; Douglas Florian: Dawn Thieves March 28-May 5, 2012 BravinLee 526 West 26th Street, #211 New York, New York BravinLee&#8217;s current exhibition of Douglas Florian&#8217;s abstractions are a swift breeze of bright tones and pulsating compositions. Using several layers &#8230; <a href="http://www.on-verge.org/recommendations/the-wise-man-looks-into-space-and-he-knows-there-is-no-limited-dimensions/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		</item>
		<item>
		<title>Phenomena, Mount and Remounted</title>
		<link>http://www.on-verge.org/recommendations/phenomena-mount-and-remounted/</link>
		<comments>http://www.on-verge.org/recommendations/phenomena-mount-and-remounted/#comments</comments>
		<pubDate>Tue, 01 May 2012 13:03:01 +0000</pubDate>
		<dc:creator>Megan M. Garwood, Assistant Contributing Editor</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[AICA]]></category>
		<category><![CDATA[Art Encounter]]></category>
		<category><![CDATA[art theraphy]]></category>
		<category><![CDATA[Ceres Gallery]]></category>
		<category><![CDATA[Chelsea]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[CUE Art Foundation]]></category>
		<category><![CDATA[Decay]]></category>
		<category><![CDATA[Deconstructivism]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Michelle Stone]]></category>
		<category><![CDATA[Non-for-Profit]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[SAIC]]></category>
		<category><![CDATA[School of the Art Institute of Chicago]]></category>
		<category><![CDATA[sculpture]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3508</guid>
		<description><![CDATA[Michelle Stone Grue-some Heads, Creatures and Shadows @ Ceres Gallery 547 West 27th Street (between 10th and 11th Avenues), Suite 201, New York, NY 10001. The exhibition is on view in Gallery I from April 24 until May 19, 2012. &#8230; <a href="http://www.on-verge.org/recommendations/phenomena-mount-and-remounted/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<item>
		<title>The Inner Workings of the Artist</title>
		<link>http://www.on-verge.org/recommendations/the-inner-workings-of-the-artist/</link>
		<comments>http://www.on-verge.org/recommendations/the-inner-workings-of-the-artist/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 23:36:22 +0000</pubDate>
		<dc:creator>Lynn Maliszewski</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[group show]]></category>
		<category><![CDATA[Julian Calero]]></category>
		<category><![CDATA[Sardine Goods and Gallery]]></category>
		<category><![CDATA[Sketchbook]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3485</guid>
		<description><![CDATA[&#8220;Seeing sketchbooks gives me the opportunity to learn something about a person&#8217;s art that I wouldn&#8217;t by viewing it on a white wall, reading a press release, or having a conversation at a typical studio visit. It can be a &#8230; <a href="http://www.on-verge.org/recommendations/the-inner-workings-of-the-artist/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		</item>
		<item>
		<title>Art Basel Miami Beach: the « miamification» of Art, written by Aïda Lorrain</title>
		<link>http://www.on-verge.org/essays/art-basel-miami-beach-the-miamification-of-art-written-by-aida-lorrain/</link>
		<comments>http://www.on-verge.org/essays/art-basel-miami-beach-the-miamification-of-art-written-by-aida-lorrain/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 08:05:22 +0000</pubDate>
		<dc:creator>Megan M. Garwood, Assistant Contributing Editor</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[AICA]]></category>
		<category><![CDATA[Aïda Lorrain]]></category>
		<category><![CDATA[Art Basel]]></category>
		<category><![CDATA[art market]]></category>
		<category><![CDATA[Asian art]]></category>
		<category><![CDATA[Beyeler]]></category>
		<category><![CDATA[CUE Art Foundation]]></category>
		<category><![CDATA[Gagosian]]></category>
		<category><![CDATA[Miami]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3474</guid>
		<description><![CDATA[Art Basel Miami Beach : la « miamification » de l’art, &#8220;Art Basel Miami Beach: the « miamification» of Art&#8221; Written by Aïda Lorrain Montreal, 12/15/11 A look on Art Basel’s history of existence, along with the consequences related to &#8230; <a href="http://www.on-verge.org/essays/art-basel-miami-beach-the-miamification-of-art-written-by-aida-lorrain/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		</item>
		<item>
		<title>Art Basel Miami Beach : la « miamification » de l’art Par Aïda Lorrain (en français)</title>
		<link>http://www.on-verge.org/essays/art-basel-miami-beach-la-miamification-de-lart-par-aida-lorrain-en-francais/</link>
		<comments>http://www.on-verge.org/essays/art-basel-miami-beach-la-miamification-de-lart-par-aida-lorrain-en-francais/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 07:49:53 +0000</pubDate>
		<dc:creator>Megan M. Garwood, Assistant Contributing Editor</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[AICA]]></category>
		<category><![CDATA[Art Basel]]></category>
		<category><![CDATA[CUE Art Foundation]]></category>
		<category><![CDATA[en francais]]></category>
		<category><![CDATA[Montreal]]></category>

		<guid isPermaLink="false">http://www.on-verge.org/?p=3471</guid>
		<description><![CDATA[Recherche documentaire: Art Basel Miami Beach : la « miamification » de l’art  Par Aïda Lorrain Lundi 19 décembre 2011 Art Basel est une foire d’art contemporain internationale fondée en 1970 par Ernst Beyeler à Bâle, en Suisse. Beyeler, décédé il &#8230; <a href="http://www.on-verge.org/essays/art-basel-miami-beach-la-miamification-de-lart-par-aida-lorrain-en-francais/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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