One Week Only — ‘Residual Images’ in the East Village

 

Image courtesy of Michael Redpath

Image courtesy of Michael Redpath

“On the afternoon of September 11th 2001, Michael Redpath, a FDNY firefighter with Ladder 169 in Brighton Beach, was dispatched to the ruins of the World Trade Center. ‘The first thing that struck me was the silence,’ said Redpath. ‘Everything was covered with this ash. Everything was white. It was almost like a silent black and white movie.’ Starting just hours after the collapse of the towers and continuing for several months throughout the recovery effort at Ground Zero, Redpath made hundreds of photographs of the unimaginable destruction and tremendous effort required to return chaos to relative normalcy. For more than a decade, Redpath’s archive of stunning images was stored away in the basement of his home in the Rockaways until October 29th 2012 when Hurricane Sandy flooded, rendering his possessions trash and irreversibly altering his negatives to fossilize the two tragic events.” See full release here.

Curator Niko Koppel, photo editor of the New York Times’ Metro section, has orchestrated a slideshow of Redpath’s images. It will be playing from 7 – 9 pm, October 24 through 29, at the First Street Green garden at 33 East 1st Street in Manhattan.

Tonight, October 24, at 6pm, curator Niko Koppel will introduce the show at OSMOS on 50 East 1st Street in Manhattan. Artist Michael Redpath will speak at the closing on October 29 at 9 pm.

Image courtesy of Michael Redpath

Image courtesy of Michael Redpath

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About Lynn Maliszewski, Contributor-at-Large

Lynn Maliszewski is a freelance writer based in Brooklyn, New York. She curated and composed work for ArtWrit, BOMB Magazine, HAHA Magazine, Hyperallergic, LatinLover, Modern Painters, No.3, Whitehot Magazine, and Whitewall. She is currently the Contributor-at-Large for ON-VERGE, an arts journalism blog sponsored by CUE Art Foundation, until 2013. She hosts her own blog, Contemporaneous Extension, as a compendium of aesthetic interests, archived exhibitions and artists, and uncensored inferences. She has contributed editorially to the College Art Association, the Bushwick Film Festival, Like the Spice Gallery, and the Museum of Modern Art.
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